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Eddie and the Cruisers Featured Reviews: Dangerously Pink and China O'Brien. Scott is in studio with us as we review Body Rock and Death Wish 2. Explicit Episode Lady Hellhole Terminator. Reviews of Lady Terminator and Hellhole.
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We also breakdown the soundtrack to Singles. Time to kick off Slashtember this week we Mr. Pinku - Happiness is in the Field - Episode 2 with a couple classic's Terror Train and the Prowler. We also take a look at the new Rob Zombie film strumpets download and give it the "Will it be Cult" treatment. Taste test and reviews!!! Saturn 3 Sad Face. Explicit Episode Wrestling Women Vs. Ready To Rumble Killer Robots.
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Explicit Episode Rawhead Suburbia Rex. Show tonight sorta programmed by Redd. Reviews of Rawhead Rex and Suburbia. Plus we break down the soundtrack iss The Lost Boys. Explicit Episode Heart of Thrashin Midnight. Double Down commentary out of the blue.
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Plus PPinku crap all over a guy about hating on Ghostbusters. Explicit Episode Robot Hardware Jox. Reviews of Hardware and Robot Jox. We also launch the new "International Snack Test" segment. Sci Fi Mayhem has started. Reviews of Bad Taste and Strange Invaders. The sexy quizzes is here Crasian April has come to a end!!!
Tokyo Gore Police and Weather Women are up this week. Guest host Kyle Kutcha. Top Ten Hardcore Albums.
Bill and Breaux are back at it again this time breaking down their all time top ten Hardcore Albums. We also get pretty deep into wha the Podcast Awards have become and it gets heated. Top Ten Favorite Dance Songs. Wens Night Wars return!!! Trick or Treat Radio is back and we are watching crap! Santo vs The Strangler and the worst movie ever made about backyard wrestling Backyard Dogs.
Explicit Episode Code Torso Condor. Code Condor and Torso Reviews. Top Ten Films of Explicit Episode Black Widow Magic.
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This week we tackle one of the most buzzed about horror film in recent memory It Follows and the under the radar found footage flick Creep. Explicit Episode Deathgasm Faults. Reviews of Deathgasm Mr. Pinku - Happiness is in the Field - Episode 2 Faults!!! OTC Essentials and reviews and stuff. Weekend Box Office Oct. Zyuden Sentai Kyoryuger vs. Yo pokemon hentai flash games kimyo na monogatari - Eiga no tokubetsuhen Tales of the Unusual.
Shuriken Sentai Ninninger vs. Adventure in Space Time Island. Sarang Eun Bisuel Tahgo a. Saam gwok dzi gin lung se gap Three Kingdoms: Resurrection of the Dragon. Rendering Hot Wheels airtime too costly, it was no longer profitable for Mattel and the show was quickly cancelled OwenMittell Promoting industry self-regulation, the FCC issued a vague warning advising networks against further product-based cartoon programming Schneider Girl cartoons would have been a risk for the networks, compounded by their fear that any new cartoons, particularly a girl cartoon, may not be commercially successful with the viewers.
Cartoon producers free online adult game networks played it safe by imitating past successes, cartoons where the girl characters were secondary to the boy leads; the networks did not experiment with the new virtuaguy of a lead girl character.
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This aspect of self-censorship, in the form of playing it safe by using boy characters as the default setting, is used to support the claims that television is a hegemonic replicator because it is producing mediocre programming Mr. Pinku - Happiness is in the Field - Episode 2 as to please the majority BourdieuFriske The more risks you take, the more often you will end up with unusable material.
The temptation is always to show the latest in styles, music, and dancing. Inexperienced young creative people…often forget that rapping and break dancing might go over well Voodoo Penis Los Angeles and New York, but in Iowa the freckle-faced kids are still down at the soda play porn games online getting a sundae or out playing Little League baseball Schneider Girls will emulate boys, but boys will not emulate girls.
When in doubt, use boys Schneider Arguments that boys watched television programming more than girls were not taking into account that there were no programs for the girls to watch because boy characters were always ensured the lead role. Media scholar Ien Ang has zone kill la kill against the Mr. Pinku - Happiness is in the Field - Episode 2 audience body that can be defined or measured, partly because it does not take into account how the viewer interprets programming.
Mr. Pinku - Happiness is in the Field - Episode 2 concentrated their dollars onto boy-centered cartoon programming because that was what existed. Opponents argued that the deregulation that occurred in the s violated key parts of the Mr. Pinku - Happiness is in the Field - Episode 2 Act ofespecially the requirement to operate in the public interest, and allowed broadcasters to seek profits with little public service programming required in return.
The main deregulations critiqued were the elimination of the Fairness Doctrine, the extension of television licenses, the number of years the license is grantedand the expansion of the number of television stations any single entity could own Hendershot The concentration of media ownership nationwide went from 50 owners in to 26 major owners in  Bagdikian InBernard Loomis, president of toy manufacturer Kenner, signed a licensing contract with Twentieth-Century Fox to produce the toy line for its upcoming movie Star Wars OwenHendershot ; Kenner had unknowingly landed the number one selling toys for and years to come.
Hoping lightning Mr. Pinku - Happiness is in the Field - Episode 2 strike twice, Loomis began looking for a toy line Kenner could own from inception, not merely as licensing contractors.
Loomis also wanted Kenner to focus on creating an entire line of toys rather than individual products. The World of Strawberry Shortcake produced by Kenner, aired once as a syndicated special in March-April of across different television stations. The dialogue was as simple as the plot; the kids laugh and play in the garden until their fun is spoiled by the villainous Purple Pie Man, an adult who wants to steal their fruit to make his pies.
In the end, the kids of Strawberry Land win out over his conniving Lenburg The airing of the special was shortly followed by the release of a wide range of Kenner toy products. It was this drive for profit that created the opportunity for girl cartoons to exist. After the success of the Strawberry Shortcake television specials, NBC became the first network to directly violate the previous regulation against product-based programming with the appearance of a hit NBC Saturday morning cartoon by Hanna-Barbera, The Smurfs Under the new FCC regulation these toy-based cartoons were acceptable because there was no direct product endorsement Hendershot In essence a half-hour cartoon program based on a pre-existing toy, in neko porn game case The Smurfswas permissible within the regulations provided that there were no Smurfs toy advertisements during its broadcast airtime EricksonKunkel It was perfectly acceptable if the Smurfs toys were advertised at a different timeslot promoting their toys bearing the same name.
What the toy manufacturers hoped for and soon discovered to be correct, was that there would be no need to spend on advertisement at all; the shows, essentially program-length commercials, were promotional on their own.
When The Smurfs and deregulation went unchallenged, toy-based cartoons began proliferating nationwide not just as television specials but as regularly scheduled, daily cartoon programming. A successful toy product meant exposure Another very special afternoon the show, which in turn created desirable advertisement time slots; it was a win games like witch girl for the programmers.
Because the amount of advertising time per show no longer had limitations in the deregulated environment of the ply sex, television stations reaped the advertising dollars of extended, multiple commercials. In addition to that financial gain, the television stations acquired the cartoons at little to no cost.
Instead, they were produced by outside independent studios financed by the manufacturer of the toy that the cartoon was based on. The station in turn received inexpensive or free programming and, due to the licensing success of the toy, sold its advertising timeslots at higher rates Erickson With gay free game intention of promoting sales, rather than artistic production, entire program series were made quickly and cheaply with weak dialogue, poor animation quality and little or no character development Lenburg ; quantity over quality was the new cartoon production value.
Artist-driven cartoons, created by individual artists who concentrated on their animation, such as Bugs Bunny or Pink Panther, were viewed as expensive to produce. In the effort to continuously shave production costs, networks began broadcasting toy-based cartoon series that had been produced all at once.
These cartoon porn real games were eagerly financed by toy manufacturers because they gave them something they wanted, the elusive year-round toy sales Owen Product Positioning Fantasy Play: While T he World of Strawberry Shortcake was aimed at a girl audience, it was a television special, meaning it only aired once a year. Though Little Lulu cartoons were televised in the s, they were created as theatrical cartoons which were then recycled into syndicated television.
The very first made-for-television, regularly broadcasted girl cartoon program appeared inthe toy-based Rainbow Brite — many would soon follow. These toy-based cartoons were produced to create product positioning fantasy play.
In essence, the cartoon program would create the fantasy world in which a toy lived.
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They were premised on good vs. Each boy cartoons hero had a cartoon villain: Each villain had their own force of allies, adventure equipment and arsenals. Following the successful model of Strawberry Shortcake and The Smurf s  friendship communities, the girl cartoons were centered around adventures laden with lessons of friendship and caring, self-doubt Mr. Pinku - Happiness is in the Field - Episode 2 with pep talks and challenges resolved with teamwork. These toy-based girl cartoons were created and written almost exclusively by men whose notions of gender were Epusode into the programming.
They glory hole hentai the television industry parameters of what determined a girl cartoon and with it, the cultural indicators of the new girl media genre.
These definitions relied on, as much as they created, gender normative coding, such as excessive use of rainbows, ponies and the color pink as well as didactic gamesofdesiree laden with self-deprecating dialogue. These magical lands were often inhabited by little creature friends who performed basic labor jobs ranging from gathering color stars or harvesting the gardens; the little ponies played with the bushwoolies, the Color Kids Elisode with the sprites.
The little friends were as helpless as they were helpful. Quite often the Happiess fell into peril and needed to be rescued by one of the girl characters, adult date games the girl characters a set role of protective caretaking and guidance. Lacking the arsenal of toys created by the fhe of weaponry and gadgetry accessible in the boy cartoon programs, the cooperation villages setting created a context that required the purchase of multiple dolls to interact and replicate the stories in the product-placement fantasy of girl cartoon programming, and it did so quite successfully; million little ponies and over 40 million Care Bears were sold between and Hot anime porn games The pastel-colored ponies had rainbow-colored manes and icons on their hind quarters demonstrating if they were flying pegasus ponies like Heart Throb, Paradise and Lofty, horned unicorn ponies like Id, Buttons and Fizzy, mermaid sea ponies like Sunshower and Water Lily or earth ponies like Posey, Magic Star and Lickety-Split, all with their own magical power.
The dolls relied on communication and teamwork. Joe soldiers used advanced weaponry to fight Cobra agents, the Autobots would pound and slice metal on aHppiness against the Decepticons while Epusode would often physically pick up his villains and throw them.
Girl toons were generally a violence-free rescue adventure with conflict-resolution scenarios involving kind words for a tearful character that had caused trouble. If a member of the cooperation village traveled outside the safe boundaries of their home there were usually unpleasant or dangerous circumstances that required rescuing and then an apology from the misguided member for wandering alone.
Whereas boy cartoons offered action battles and explorations, cooperation Pibku girl cartoons centered on personal dynamics within the community and keeping the home safe and Pinky. In Sold Mg.her book on Mr. Pinku - Happiness is in the Field - Episode 2 in consumer culture, Ellen Seiter writes about how her local video store stopped carrying Rainbow Brite because even though kids loved it, too many parents were complaining about it.
These toy-based girl cartoons were widely critiqued Mr. Pinku - Happiness is in the Field - Episode 2 pundits and parents alike Owen Mr. Pinku - Happiness is in the Field - Episode 2, Signorielliand with play 3d sex games reason cartoons with nudity the plots were formulaic with equally bad animation and dialogue.
No one seemed to like them except the children viewers who responded enthusiastically with millions of dollars in product purchases EngelhartSeiter Unlike cartoons in the past era, like Bugs Bunny or Mickey Mouse, which had been enjoyed and Haappiness targeted at adult audiences as well as children, the cheaply animated and ib written toy-based cartoons were really just for kids- and some were really just for the girls.
As these girl cartoons were being criticized by adults for their hyper-feminine appearance, girl viewers were making their own interpretations Walkerdine Within these standard gendered parameters the girl protagonists in these cartoons adult game xxx strong, responsible and leaders.
These toy-based girl cartoons created an empowered space for ths girl viewers that previously had not existed, albeit a heavily commercialized and gendered one Seiter As stated in key audience Epsiode, media consumption cannot be seen as an isolated process of encoding, but should be examined as a Hxppiness embedded in daily life Ang Morely Different studies show that the relationship girls have with the cultural products they consume is an active one InnessWeeks Girls are just Mr.
Pinku - Happiness is in the Field - Episode 2 capable as other fans to take from pop culture what relates to them and discard what appears to be irrelevant or derogatory Walkerdine Though the creation of these cartoons was to increase toy consumption by little girls, it inadvertently and without intention created an empowering space for little girls to see themselves as heroes.
Pibku cartoon girl protagonists represented girl characters that displayed a strength that had not traditionally been attributed to girls.
MrPinku - Happiness is In The Field - Part 1
The traditional gender presentation, as well as Mr. Pinku - Happiness is in the Field - Episode 2 traditional feminist critique, was that girl characters were secondary and represented as dependent on a boy character AlbiniakThompson and Zebrinos, Signorielli In contrast, the representation of feminine strength in the girl characters of the s cartoons countered the traditional gendered traits associated with little girls.
The protagonist aHppiness empowered girls with determination and leadership skills, something that had been missing in cartoon television since Little Lulu.
The excessive use of pink stars and rainbow skies meant designated girl leaders. Aged eleven and under, these cartoon girls were represented in ways that subvert traditional norms of who little girls are and what they do. Within the heavily rape hentai game normative message, the tne of lead girl characters created a counter-hegemonic message of gender independence alongside its creation of a successful girls market.
Shows like Rainbow Brite provided a space for girls to have as their own, with no boy prince to rescue them, no boy hero to be a sidekick for, and where the protagonist, and consequently the hero, was a girl.
Perhaps because of the industry party line that cartoons with girl leads could not be successful, boy characters were included in all the girl shows, though the Happlness was not true in reverse. The boy cartoons at times had a woman character, but a girl in the boy cartoons was rarely seen. Created by DIC Entertainment, Inspector Gadget was about a bumbling, simple-witted detective who fights crime using his cyborg-like gadgets. The plot line usually follows the same format; Gadget is given a top-secret assignment and proceeds to either mistake villains for allies or simply go on hentai games hacked unrelated trail.
Since clever Penny is always skeptical of these so-called allies, suspecting them to be villainous agents, she sends Brain, her dog and crime-fighting partner, to follow and protect her Uncle Gadget while she formulates a way to prevent disaster and solve the crime. Years before the proliferation Mr.
Pinku - Happiness is in the Field - Episode 2 laptops or cell phones, Penny uses her computer book to break codes, conduct surveillance and keep tabs on Gadget. She also uses her wristwatch as a communicator, laser beam and occasional remote control over menacing vehicles or destructive machines.
These tech-savvy characteristics, paired with her resourceful detective skills are a playful transgression to normative gender coding since they are more commonly attributed to boy Mr. Pinku - Happiness is in the Field - Episode 2, or nerdy teenage girls, like Selma on Scooby-Doo, who often need to be rescued. On the Inspector Gadget cartoon, it was Penny who did the rescuing.
In his absentminded adventures, Gadget fails to recognize the far superior intellectual abilities of his niece. In each episode Penny is the one who solves the crimes while Gadget is distracted and detained by the Hte. Claw and his pet cat . At the end Happines each episode, police chief Quimby gives Gadget the recognition for solving the case. She works tirelessly and puts herself at risk, all unknown Battle of Survival Gadget, while in the end Gadget clumsily stumbles upon a solved crime and is given credit for its resolve as Penny looks on in amusement.
As a strong girl character, both in identity and plot importance, Mr. Pinku - Happiness is in the Field - Episode 2, effectively demonstrated that boys would easily watch an empowered girl character. DIC soon followed Inspector Gadget with thirty-two different Happinfss programs in the s that had their Pinkk series produced at once, some with over one hundred episodes made in a single year. One of these mass produced programs was girl cartoon Rainbow Brite Rainbow Brite, was originally a greeting card icon created by Hallmark.
However, unlike Little Lulu, Rainbow Brite was neither cunning nor mischievous; the serendipitous Rainbow Brite was the new girl cartoon role model. Rainbow Brite looks like a cartoon version of a child beauty pageant contestant. Her rosy cheeks are accentuated by long blond hair in a high bouffant.
She lesbian adult movies rainbow colored moon boots and a miniskirt with a fluffy white trim.
Yet contrary to the expectations associated with this sweet, hyper-feminine appearance, she is a fearless little girl who is BlazBlue Litchi Sex Session a well-respected, resourceful leader, battling evil, unafraid and triumphant; she is the s power girl.
The Rainbow Brite series begins with her arrival to a dark land, an unseen ib woman spirit brings her there by magic. We know magic is at work here because of the visual and audio cues of star sparkles and a harp glissando.
Both of these cues had been used extensively by Looney Tunes yet they were demarcations of violence, such as being hit on the head with an anvil.
Rainbow Brite effectively appropriated these audio and visual cues as the new girl cartoon signifiers of magic and happiness, a trend that continues today. In the pilot episode, a shooting blue star magically transforms into Rainbow Brite as she arrives to the dark, thunderous land. They simply arrive in these magical lands to help the residents battle villains and free adult cartoons their homes.
This lack of adults was more present in the girl cartoons than in the boy cartoons, and as a result meant that girls were the defacto leaders. In the Rainbow Brite cartoon, the cooperation village of Rainbowland is full of multi-colored homes and sparkling paths. Equally vibrant are the inhabitants, little fuzzy multihued Sprite and Mr. Pinku - Happiness is in the Field - Episode 2 Color Kids, each represented in a corresponding color with the iPnku, Red Butler and Buddy Blue, taking the traditional primary boy colors.
Together they harvest and produce color stars which power up the magic color belt Rainbow Brite uses to awaken the dismal, colorless areas overtaken by Fieeld grey nemesis named Murkel. Riding upon Starlight, her large white stallion with a rainbow mane, Rainbow Brite travels to bring color and rainbows to all lands of the universe.
You will not find any guns or swords in these brigades. The color kids and the sprites look to Rainbow for help in resolving their conflicts. Rainbow Brite offers her friends emotional support while also engaging in the defense of Color Land.
Sexy anthro offers advice and is sought out for advice, she performs as leader us is recognized as leader, by others and self-actualized. She offers her friends emotional support while also engaging in combative battle. Much like the teasing Lulu faced from misogynistic boy, feminine-foil Tubby, Rainbow also has to face challenges from boy characters who doubt her leadership capabilities based on her gender.
After narrowly escaping the giant robots, Onyx informs Cris that he has returned with help, Rainbow Brite. Along with the anti-feminine foil boy character that emasculates himself Pinu devaluing feminine gender, this research also found another gender-normative rivalry persistently present in girl cartoons, the mean girl, which I refer to as the feminine-foil.
The feminine foil girls are bossy, snobby, bratty and have rivalries with the lead girl character. The feminine foil girl character actively embodies the antithesis of the empowered protagonist. Japanese sex games online foils are used Filed a representation of gender normativity for which the lead girl character can be comparatively identified as other.
Mr. Pinku - Happiness is in the Field - Episode 2 As a challenge to normative gender coding, Rainbow represents a girl warrior, unafraid and ready to take -- action.
These characters are rude, selfish and freely insult those interactive sex games mobile them. The feminine foil represents a constructed, normative aspect of femininity that can be used to challenge the feminine power of girl characters like Rainbow Brite, who, though incredibly feminine and in a feminized world, is a strong and heroic leader. Television cartoons are a Fiwld interpretive form.
They are a complex combination of social reproduction and conflict and, because as popular culture they are used as material resources in everyday life, may serve simultaneously dominant and marginal interests. Girl cartoons present an example of three-dimensional social marginalization: This positioning as a subordinate cultural form may grant girl cartoons the ability to express different viewpoints and ideas from that of the dominant framework.
Gender normativity is part of this synthesis of social structure and personal agency. The s girl cartoon characters displayed leadership, Hpapiness, determination and savvies, creating a new genre of girl empowerment. The adventures of Rainbow Brite or the Little Ponies were inspiring young girl viewers to be empowered, sans sexualization. Strawberry Shortcake, while being a girl cartoon, was a television special, not a regularly scheduled program, and therefore is not Episoed.
The Eoisode of the word girl as grrrl was part of their dismissal of how the mainstream media adult sexy games what a girl should be like. Part of this Mr. Pinku - Happiness is in the Field - Episode 2 was the reclaiming of a sexual self without abusive objectification. They were reclaiming what it Punku to be a girl, and they kicked ass. A syndicated program is purchased and aired individually by stations rather than televised nationally by a network.
IFeld it had the formulaic girl cartoon plot, it had a token girl character in a gang of boys. Inspector Gadget himself is a parody of live-action TV program Get Smart and voiced by the same actor. Enlightenment as Mass Deception.
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Desperately Seeking the Audience. London and New York: Rethinking media audiences for a postmodern world. The New Media Monopoly. The Problematic Politics of Popular Culture. Fake, Fact, and Fantasy: Durham, Meenakshi Gigi and Douglas M. Media and Cultural Studies: Edited by Todd Gitlin. T elevision Cartoon Shows: An Illustrated Encyclopedia, Introduction to Communication Studies.
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Pinku - Happiness is in the Field - Episode 2 white screen and thats it. She tells you not to go in the house. Go to the pond area and talk to the EV-F00 girl. She takes your fish and gives you some jam. Go talk to the angry girl again and give her some jam.
Go back to the house and go inside. Your aunt is taking a bath naked.
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